Hi, I'm Terris. I'm a web designer in Singapore, full-time since 2018, and I design and build every site on these pages myself.
Get entertainment and event website design in Singapore built to win bookings
Entertainment businesses are hard to put on a website because they rarely do one thing. A creative venue is a dance studio on Tuesday, a birthday party on Saturday and a film shoot on Sunday. A rental company hires out arcade machines to a corporate family day and a school carnival in the same week, to buyers who have nothing in common.
- case studies
- 5
- services delivered
- 6
- most recent project
- October 2026
Lava Floor, Life at Snow, Arcade Rental Singapore +2 ↓ My entertainment and event work
The instinct is to flatten all of that into one menu and one enquiry form. It never works. What works is letting each audience find its own route in, quickly, without having to read three sections written for somebody else first.
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Lava Floor
A hand-coded site for an LED floor-is-lava arena, from brief to launch in one week.
Read the case study → -
Life at Snow
A 45-page site in three languages for a 24/7 creative venue with 12 bookable spaces.
Read the case study → -
Arcade Rental Singapore
A browsable catalogue of 150+ arcade machines for event rental, with SEO and Google Ads on top.
Read the case study → -
SAVOIR L'Agence
A site for an agency running business events, incentive trips, luxury travel and property.
Read the case study → -
Concept GFF Weddings
A homepage redesign concept for a Malay and Muslim wedding planner.
See the concept →
Browse the portfolio by industry
What an entertainment or event website has to do
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Route several unrelated audiences at once
A creative venue takes class bookings, party enquiries, filming requests and corporate hire from people who want completely different things. Same venue, almost no overlap in what any of them need to see first, so the homepage has to split them early.
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Show the inventory, with real numbers
Event rental is bought on catalogue depth. How many machines, which models, what capacity, what it costs to get them delivered and set up. A page saying "we have a wide range" loses to a page listing 150 machines across six categories.
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Handle bookings that are all different shapes
A studio hour, a full-venue takeover, a birthday party and a corporate night have different capacities, pricing and questions. One generic contact form makes every one of those enquiries worse, because it collects nothing useful for any of them.
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Work for an audience that is not all local
Plenty of enquiries come from visitors who are still working out whether they can get to you at all. Life at Snow runs in English, Mandarin and Korean across the whole site, and lists walking times from the nearest MRT exit.
How I build entertainment and event sites
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Start with an intent router, not a nav bar
Six cards asking what brought you here, each opening into who it suits and one clear next step. It splits the audience within a screen of the fold, which a traditional menu cannot do when the business genuinely does six things.
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Give every bookable thing its own form
Twelve spaces at Life at Snow, each opening onto its own booking form. Returning bookers skip straight to the room they know. First-timers get the overview and a route for anything the list does not cover.
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Build the catalogue for browsing and for search
Arcade Rental got a browsable catalogue split into six clear categories with quick-enquiry on every card, because someone hunting a claw machine for a roadshow should not have to scroll past racing simulators to find it.
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Treat WhatsApp as the primary channel
These enquiries are conversational and often last-minute. A phone number and a WhatsApp button convert better than a contact form for anything with a date attached to it.
Where the figures on this page come from
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Real projects, live links
Every case study links to the site itself, so you can check the work instead of taking my word for it.
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Figures from the build or the business
Page counts and structure can be counted on the site. Anything else is a figure the business publishes about itself. I don't print traffic or enquiry numbers a client hasn't confirmed.
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No invented reviews
A quote appears only where a client left one on Google, which is why most case studies have none.
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Prices from my published packages
Any price in the answers below comes from the same list as my pricing page, not a number written for this page.
What entertainment and event businesses ask me
How much does an entertainment or event rental website cost in Singapore?
The driver is catalogue size and how many separate booking paths you need. A single-service business with one enquiry form is a One Week Website at SGD 3,500. A venue with a dozen bookable spaces, multiple languages and a shop is a bespoke build starting at SGD 7,500. Tell me how many things you rent or hire out and I can be specific.
Can you build the site in more than one language?
Yes. Life at Snow runs in English, Mandarin and Korean across the whole site rather than just the homepage, including navigation and every booking route, because a translated marketing paragraph in front of an English-only booking form helps nobody.
Do I need a booking system or is a form enough?
For most Singapore venues and rental companies, per-space enquiry forms plus WhatsApp outperform a full booking system, because the jobs are quoted rather than fixed-price. If you are selling fixed slots at a fixed price, a real booking system earns its keep. I will tell you honestly which side you fall on.
Can you handle a catalogue of a hundred or more items?
Yes. Arcade Rental runs 150+ machines across six categories with enquiry CTAs on every card. The work is in the structure and the filtering, not the item count.
Choosing a web designer for an entertainment business
The common failure in this sector is a website built for the owner rather than the customer. It opens with the story of the business, lists everything the business can do in one undifferentiated block, and finishes with a contact form. Every audience it serves has to do the sorting themselves, and most will not bother.
The fix is structural. Work out who actually arrives at the site, give each of them a visible route within a screen of the fold, and make the thing they want to book its own page with its own form. That is what turns a venue with six unrelated revenue lines into a site that converts all six instead of the one the homepage happened to lead with.
If you run a venue, a rental company or an entertainment business in Singapore and the enquiries you get are not the ones you want, the routing is usually the reason. Look at the two case studies above and get in touch.
Work in related industries
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Escape room website design in Singapore
Escape room website design in Singapore. Three built and shipped, including the country’s largest operator at 40 chambers. See the booking flows, room catalogues and results.
See the work → -
Restaurant website design in Singapore
Restaurant and F&B website design in Singapore. Menus that load fast, reservations that work on a phone, and the details diners actually check before booking.
See the work →
Tell me what you rent or run and I'll show you how the site should sell it
Message me what the business does and what the site needs to do. I'll reply with the closest work I've done and a fixed price.
